The premier Merengue Típico group of the United States. Pioneers of the Second Generation — bridging the folkloric rhythm of Cibao with the energy of New York City nightlife.
Established April 2013 with a singular vision: revolutionize the traditional sound of Perico Ripiao for a cosmopolitan audience. We fused the folkloric rhythms of the Cibao with the aggressive, fast-paced energy of New York City nightlife — and sparked the modern fiebre of Típico in the Northeast.
From NYC clubs to Lincoln Center stages, Max Banda is the blueprint for the sound — old-school essence, new-generation energy.
Soundchecks, sets, behind-the-scenes — straight from the road to your screen. This feed auto-updates as new posts go live.
“El Swing de New York.”
The accordion virtuoso whose rapid dexterity and charismatic leadership defined the band's sound and stage presence.
“Melodic. Commanding. Unmistakable.”
Founding vocalist whose melodic style and commanding stage presence helped define the band's identity from day one.
“The mambo, anchored.”
Co-founder and bassist whose modern rhythmic precision anchors the band's signature mambo and keeps the dance floor in lockstep.
The saxophone breathing over every Max Banda set, and the producer behind the band's arrangements. Anthony writes the parts in the studio and lifts the energy on the tarima — the connective tissue between the sound on record and the fiebre in the room.
Conguero and co-producer on most of the Max Banda catalog. Paulino lays the foundation twice — once on the tarima driving the swing, and once in the booth shaping how the records actually sound. The pulse and the polish, same hands.
Former keyboardist on the Max Banda bench, now producing for Romeo Santos Jr. and a roster of major Latin artists. Zay's fingerprints are on most of the band's biggest tracks — the kind of writing partner who never really leaves the project, even when his name is on someone else's record.
Cultural ambassadors of Merengue Típico — from Manhattan stages to Dominican prime-time TV. The crossover moments that defined the second generation.
August 7. Rumsey Playfield, Central Park. Selected for one of NYC's most prestigious cultural events — shared the bill with Luis Vargas (El Rey Supremo) and El Gran Alcover. Brought Perico Ripiao to a massive, diverse audience and cemented our status as cultural ambassadors in the heart of Manhattan.
Featured on one of New York's top English-language news stations — a crossover moment showcasing our impact on the city's cultural fabric to millions of American viewers. Rare territory for traditional Típico bands typically confined to Spanish-language networks.
Featured on Grupo Telemicro (Channel 5) and Buena Noche with Nelson Javier — a classic moment in the genre's history. The broadcast was titled "MAX BANDA LLEVA EL MERENGUE TÍPICO DESDE NY AL MUNDO," solidifying our role as international exporters of the culture.
Documented across the Dominican and NYC Latin press as architects of the new Típico era. The earliest feature (Esendom) called us a group seeking to make their nest in NYC — a prophecy fulfilled by becoming the city's dominant Típico force.
Live recordings, festival performances, studio cuts. The proof is in the playback.
The official Max Banda channel. Live sets from NYC, music videos, behind-the-scenes — straight from our studio.
Rates, availability, demo tracks, and tech rider — all live in the profile below. Tap through to lock your date.
Live availability calendar, instant pricing, secure deposit. Click below to open the booking form.
Powered by Gigwell · Bookings, riders and contracts handled in-platform
The vals, the entrance, the fiebre. Authentic Típico for the most important night.
Traditional vals into modern Típico in one night. Parents on the floor, teens running it.
Galas, openings, conferences. Authentic Dominican culture for serious stages — Manhattan to Brooklyn.
The song from when they met, in the rhythm that never goes out of style. We learn the list before showing up.
Backyard, rooftop, club. The Perico Ripiao adapts to any space without losing punch.
Lincoln Center. SummerStage. Cultural festivals. We know how to hold a big stage.
“We hired Max Banda for the wedding. By the third merengue, both grandmothers were dancing.”
“Authentic Típico, but they know how to read a Manhattan room. Set list shifted three times. Nobody sat down.”
“My quinceañera felt like the Bronx came to the venue. Mi mamá no se sentó.”